"The Three Caravels and Their Return to America" by Sarah Bowen in "Encounters: A Quincentenary Review" (Summer 1990, pp. 28-30) When Princess Christina, daughter of Spanish King Juan Carlos I, christened a replica of Columbus' ship the Pinta, not even she understood the flurry of international celebrations which was to follow. Citizens of Christina Island, Cartagena and Barcelona, where the Pinta, Nina and Santa Maria were respectively christened, have witnessed the prelude of what promises to be the gala of the last five hundred years since Christopher Columbus first stumbled upon the Americas. The christening were by not means reached without a long, arduous struggle. Years of investigation and historical research were poured into the discovery of the ships' plans, and only last year was construction completed under the supervision of the Spanish Armada and the ships' owners. The Spanish National Commission for the Quincentenary, whose chairman is His Majesty, King Juan Carlos I of Spain. The time has been well spent. What is to follow will serve to invest within citizens worldwide a lasting historical appreci- ation of the depth and magnitude of Iberian culture. And yet, Spain's commitment to the past is not surprising. To travel backwards in time has long been the aspiration of men and women in pursuit of a national historical identity. It is exclusively within the icons of former glories and defeats that the roots of the national conscience implant themselves. Columbus' voyage represented both a glory and a defeat for Spain. The ships will relay the near defeat of Spain by fif- teenth century thought in that Columbus' initial attempts to secure financing were defeated. England, France and Portugal implicitly decided to sit out of the first round of exploration to the accompaniment of their disbelief in a westward path to the orient. Queen Isabella carefully considered the disclaimers issued by the other European powers and for six years delayed answering Columbus' requests for assistance. After defeating the Moors and uniting Catholic Spain, Isabella commissioned Columbus. Thus, the ships will also tell of a daring Spain which turned its fragmented history into a vision focused on courage. On August 3, 1492 Columbus and his three ships set sail from Palos de la Frontera and proceeded via the Canary Islands to America. Finally, the ships will communicate that success does not always hinge upon a correctly thought-out central plan. If Columbus was successful in the traditional art of navigation, his motivation was fundamentally pragmatic rather than visionary. His desire to find a quick and efficient path to Cypangu, Japan offset his rather nonexistent knowledge of the dawning science of celestial navigation. Thus, the ends were unrelated to the means and Columbus' faulted strategy did not prevent what was essen- tially an unfounded hunch from proving itself true. The Nina, Pinta and Santa Maria will recapture the essence of Columbus' lessons to the world when they, like Columbus, set their sails for the New World in 1992 from the Canary Islands amidst a flurry of carnivals, exhibitions, symphonies, and other Iberian festivi- ties. Any lesson carries with it a financial burden. Texaco, in a gesture to promote worldwide appreciation of the quincentennial, has agreed to foot the 15 million dollar bill as the exclusive sponsor of the voyage. The Spanish National Commission for the Quincentenary and its executive branch, the Spanish Society for the Quincentenary, the Christopher Columbus Jubilee Commission and the Spain `92 Foundation have reached an agreement to work together to organize the three year event's festivities. As time winds down to 1992, the re-discovery armada is busily training its crew in the Mediterranean. This crew, composed of seamen from both sides of the ocean, will make over fifty stops in the United States and continental America. The ships will first stop in the Bahamas at San Salvador, the proba- ble site of Columbus' first landing in the western hemisphere. When Columbus made the voyage the chief problems he encountered were two mutinies caused by the psychological uncertainty of the voyage. At all stopping points in the Americas the "Taste of Spain," a festival which will travel throughout the Americas with the caravels, will tentatively feature an IMAX theater in which spectators may experience vicariously through the screen the first passage across the ocean made by Columbus. The cause of the crews' pandemonium might be understood by this reenactment. Other audiovisual presentations may enrapture viewers within the spells of both past and contemporary Spanish culture. Whether it be tasting the Spanish culinary exhibits or meandering through booths of other artistic creations, cities of an otherwise subdued character will overnight be transformed to fantastic proportions. The formation of Spain's conscience as a nation has been directed through the dreams of Columbus. As hundreds of thousands of spectators worldwide find themselves travelling backwards in time to the fifteenth century, they will be able to relive his dreams and gain an understanding of how one country was able to unite behind a cause and turn the world on its ear. The "Taste of Spain" only begins in San Salvador. The entire caravan will proceed to Santo Domingo, where the ships will begin a northward climb to Miami, and then followed by adventures along the entire eastern gulf and western coast. If on July 4, 1992, worldwide attention is drawn to New York City, it will be because the three caravels will enter New York Harbor accompanying the Grand Regatta Columbus for a celebration of the independence of America and the richness of its multi- ethnic culture. Yet if Chicago and Miami or Panama City, Florida and New- port, Rhode Island or any of the other destination points do not find themselves sufficiently saturated by the activities planned jointly by the organizers, other invitations await in the ports, extended by local organizations. Spectators may check out a Spanish ballet recital at the local theatre, dream of laxadazical summer evenings while listening to a symphony or orchestra, or marvel at the distinct creativity of Spanish art. The truly adventurous may even capture a show performed by the Royal School of Equestrian Art. While the Isthmus of Panama prevented the original expedi- tion from voyaging beyond the Mayan civilizations which were found peaceably forging an existence in the fertile valleys, now the caravels will recapture history's defeat by sailing through the canal on the way to San Francisco, where on October 12, Columbus Day, the ships will drop their anchors. The trip will not be exclusively limited to the United States and the Caribbean. With stops along the way in cities including Los Angeles, San Diego and Seattle, the procession will visit Vancouver, Canada, which is only one of many Canadian cities to follow. By early 1993 the caravels will once again cross the isthmus of Panama and begin their Central American and Caribbean tours. However, from there a full schedule and intentions of covering most accessible cities will tentatively lead the ships back up the east coast to Halifax, Quebec and Toronto. Not even cities apparently inaccessible to the maritime venture will go unnoticed. From Canada, the expedition will travel via the St. Lawrence River to the Great Lakes. These cities, occupying land discovered by other European explorers, will serve as landing points for the Spanish. Although all plans are currently tentative and awaiting local organizations' final proposals, one certain stop is Puerto Rico, for the marking of the quincentennial of the island's discovery. From there the ships will set their sails again for the Gulf of Mexico and then northward on the Mississippi River. The United States Christopher Columbus Jubilee Commission and the Spanish Society for the Quincentenary hope to reach at least 12 large cities, such as Chicago, New York and Washington, D.C., 11 medium-sized cities such as New Orleans and Milwaukee, and 27 smaller cities, including Panama City, Florida; Newport, Rhode Island; and Annapolis, Maryland. Permission granted by publisher.