"The Gardeners of Eden: A bouquet of exotic flowers was one trophy of European expansion" by Samuel M. Wilson in Natural History (July 1992 pp. 20-23) Gardens and gardening flourished during the Italian Renaissance, reflecting both the rebirth of interest in classical philosophy and aesthetics and the emergence of the natural sciences. The remarkable Natural History written by Pliny the Elder (A.D. 23-79) was resurrected as holy writ by Renaissance gardeners. Pliny's principles are still adhered to in modern gardens, especially his emphasis on integrating the rooms of the villa with the "rooms" of the garden and the importance of maintaining harmony between the villa garden and the surrounding landscape. The villa at Careggi was just one of the country estates that the Medici family of Florence owned in the late 1400s, but its Renaissance garden was Lorenzo de' Medici's favorite. He spared no expense in researching and obtaining the most exotic plants for it: a fifteenth-century poem by Alexander Bracci lists more than 100 species that Lorenzo planted. Leonardo da Vinci, who lived from 1452 to 1519, spent considerable time at Careggi, creating sculpture and perhaps even designing parts of his patron's cherished garden. As botanist William Emboden has shown, Leonardo was as passionate a student of botany as he was of nearly everything else in his world. His voluminous notebooks contain thousands of detailed sketches of plants, with notes on their characteristics (set down in his mirror-image handwriting), as well as sketches of gardens. More than four centuries later, in another country, I too keep a garden. Mine is certainly not as impressive by any measure, even compared with those on our street. But my international hodgepodge of plants would have thrilled Lorenzo de' Medici, Leonardo da'Vinci, and Pliny the Elder. Leonardo never saw the explosion of New World plants in the gardens of Europe and the rest of the world. He mentions only one or two Native American plants in his notebooks--corn (maize) and possibly a New World bean. He died just as Cortes's expedition was making its way toward the Aztec capitol and some of the world's most remarkable gardens. So Leonardo never tasted chocolate, one of the things Cortes brought to Europe. Describing the extraordinary things Cortes and his army say in Montezuma's palaces, Bernal Dias del Castillo wrote, in The Discovery and Conquest of Mexico: We must not forget the gardens of flowers and sweet-scented trees, and the many kinds that there were of them, and the arrangements of them and the walks, and the ponds and tanks of fresh water where the water enter at one end and flowed out of the other; and the baths which he had there, and the variety of small birds that nested in the branches, and the medicinal and useful herbs that were in the gardens. It was a wonder to see, and to take care of it there were many gardeners. The sixteenth-century chronicler Fernando de Alva Ixtilochitl was born to a noble Aztec family but educated in Spanish mission schools. In his Historia Chichimeca he described the precinct of the aristocracy as a huge walled park, containing palaces, temples, and the buildings of the state bureaucracy. The rest of the precinct was given over to gardens with many fountains, ponds and canals, many fish and birds, and the whole planted with more than two thousand pines...and there were several mazes, according to where the king bathed; and once a man was in he could not find the way out...and farther on, beside the temples, there was the bird-house, where the king kept all the kinds and varieties of birds, animals, reptiles, and serpents that they brought him from every part of New Spain; and those which were not to be had were represented in gold and precious stones--which was also the case with the fish, both those of the sea and those that lived in rivers and lakes. So no bird, fish or animal of the whole country was wanting here they were either alive of figured in gold and gems. In the 1570s, Francisco Hernandez and a group of Aztec artists and draftsmen make a large compendium of Aztec plants. Unfortunately, the original drawings, containing additional notations and details in the Aztec language, Nahuatl, were destroyed in 1671 with a large part of the famous library at El Escorial, a Spanish palace and monastery. But copies of them appear in Historia Naturae Maxime Peregrinae (1635), by the Jesuit Juan Eusebio Nieremberg. Another source describing the Aztec flora is the 1552 Badianus Manuscript. This extraordinary catalog of medicinal plants, with still-vivid, natural-dye illustrations, was made by two Aztec scholars educated at the Colegio de Santa Cruz de Tlateloco. Martinus de la Cruz composed the text, and Juannes Badianus translated it into Latin. This book sat in the Vatican library for nearly four centuries before its facsimile was published in 1940. Many of the New World's most spectacular contributions to modern gardens were slow to appear in Europe. The conquerors paid more attention to crops that could be profitably sold. Two of the most addictive, and thus more profitable, were cacao (the source of chocolate) and tobacco. Tomatoes were slower to catch on in Europe, only becoming widely grown in the late nineteenth century, surprising as this may seem to those of us somewhat addicted to tomatoes. Potatoes, squashes, pumpkins, arrowroot, manioc, and other food plants were not addicting but became popular and important in many parts of the world. Some Native American crops, like the peanut, have come into their own in the last century or so. And some, like the wonderful Jerusalem artichoke, a member of the sunflower family, have not yet become popular but should (its intriguing name is a corruption of the Italian girasole, meaning "turn to the son"). The chili pepper (Capsicum annuum and others) well illustrates the massive diffusion of plants that has taken place since 1492. In his journal of the first voyage, Columbus noted: There is also much chili, which is their pepper, of a kind more valuable than [black] pepper, and none of the people eat without it, for they find it very healthy. Fifty caravels can be loaded with each year in Hispaniola. This remarkable plant--domesticated, bred into dozens of varieties, and cultivated in the New World for thousands of years--made its way around the globe in just a few decades. The spicy cuisines of South Asia, Thailand, Vietnam, and Sichuan in China are unimaginable without chili. Scholars have often noted the dramatic effect of the exchange of New and Old World food plants--including corn, potatoes, and tomatoes going one way and wheat, rice, and bananas going the other. In sheer numbers of species. Ironically, many domesticated and well-bred New world ornamental plants, left to fend for themselves when their gardeners died or left their gardens, were rediscovered by Europeans as "wild" flowers. The twelve species of dahlias grown by the Aztecs were warmly received in Europe, but they did not reach England until 1790. The zinnias and marigolds were probably grown earlier in Spain and other Mediterranean countries but were first recorded in England in 1753. The glories lilies of the Andean Incan gardeners, such as the hardy amaryllis, the Peruvian lily, and rain lilies, are widely cultivated today. Both Incan and Aztec gardeners grew many varieties of bromeliads (relatives of the pineapple, another New World domesticate), whose vast family spreads over all the tropical Americas (see "Epiphytes of El Yunque, Puerto Rico," Natural History, October 1991). Others among the countless New World flowers in global cultivation are phlox, morning glory, fuchsias, Michaelmas, daises, and yuccas. Anyone who gardens is probably growing New World domesticates, including those who dedicate all their efforts to trying to grow the elusive 1,000-pound pumpkin. Thousands of wildflowers are also finding increasing popularity among gardeners. Just a few of the sophisticated native plants I have growing in my garden are the primrose, Mexican mint marigold, butterfly weed, black-eyed Susan, and hairy zexmenia. Such wild plants are the raw material for gardeners. With food crops, cultivators can select for edible wild plants that yield more food per plant, are better suited to particular conditions, more hardy, and so forth. Gardeners select blooms and foliage for size, form, texture, and color. Five hundred years ago, the New World, Asia, and Africa were full of raw material for plant domestication, while Europe had relatively little. In The Principles of Gardening, Hugh Johnson argues that the flora of Europe suffered much greater damage during the last glaciation than did that of Asia and the Americas. In North America and China, plant communities survived by migrating southward as the glaciers crept forward, and they recolonized as the glaciers retreated. European plants were cut off by the Mediterranean Sea, and only the most hardy survived. Europe's colonial expansion changed that,and Europeans gardens began to fill with the exotic flowers of Africa, Asia, and, eventually, the Americas. The rose represents a delightful combination of the musk rose of the Mediterranean and Near east and the Chinese rose, neither of which in its wild form is as glorious as the hybrid offspring. The Renaissance painter Botticelli sprinkled some of the early hybrid roses in the background of The Birth of Venius. We have seen only a few centuries of the combination and recombination of the lesser- known species in the world's flora, and other startling hybrids have yet to appear. Europe's expansion was driven by a growing population and an even faster growing aristocracy, which generated a demand for gold, spices, and other rare and exotic goods. Columbus sailed west to find a quicker route to these luxuries, a good shipload of which--safely delivered--could allow a captain to retire for life. While they might seem secondary in importance to economic crops, exotic ornamental plants, destined to grace the celebrated gardens o f the Renaissance aristocracy, were valued for their aesthetic properties. Just as I can imagine an Aztec king conquering whole provinces to obtain the twelfth dahlia, I am confident Lorenzo de'Medici would have been willing to pay more than the total cost of Columbus's first voyage to get a few more specimens for his garden at Careggi. With permission from Natural History, July 1992; Copyright the American Museum of Natural History, 1992. WILSON01.ART